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Visiting hours:
The National Museum of Art of Romania, the Theodor Pallady Museum and the K. H. Zambaccian Museum can be visited: Wednesday-Friday 10am-6pm
Saturday-Sunday 11am-7pm, Monday and Tuesday closed. Free entry on the first Wednesday of the month.
The Art Collections Museum: Monday, Tuesday and Friday, 10am-6pm, Saturday and Sunday 11am-7pm, closed Wednesday and Thursday. Free entry on the first Friday of the month.
Last entrance: 1 hour before closing for The National Museum of Art of Romania and the Art Collections Museum and 30 minutes for the Theodor Pallady Museum, the K. H. Zambaccian Museum and the temporary exhibitions.

Between 5-6 December 2024 the Throne Hall, the Royal Dining Room, and the Voivods’ Stairs will be closed.

The National Museum of Art of Romania
Icon – Saints Constantine and Helena
Artwork description
Icon
tempera on wood, gilded background
116 x 81,5 cm
Master painter Athanasie
Wallachia
1699
Inv. 11 791/ i 448
Artwork location
Romanian Medieval Art Gallery, room 6

Toward the end of the 17th century Wallachian ruler Constantin Brâncoveanu (1688 – 1714) supported the restoration and refurbishment of the metropolitan church in Târgovişte, and its iconostasis. Icons newly painted by master Athanasie include that of the Holy Great Emperors Constantine and Helena. When contemplating it, onlookers were reminded of by then legendary histories whose symbolic value was heightened by contemporary context.

The icon represents the two saints in solemn pose on either side of a monumental cross surmounted by a blessing Jesus. Behind them, at the foot of the cross, lies the walled city of Constantinople, the capital of Eastern Christianity. Apart from the signs of earthly power (sumptuous costumes, richly adorned sceptres and crowns), the two saints also wear a pectoral cross representing Jesus crucified (Constantine) and a medallion (engolpion) showing Virgin Mary (Helena) as symbols of their role as Great Hierarchs and leaders of the Church.

Both saints were highly popular among believers. Roman Emperor Constantine (306 – 337) put a stop to Christians’ persecution, contributed to the establishment of Christianity as a state religion and rebuilt Byzantium, named Constantinople, the city of Constantine upon his death. Constantine’s mother, Empress Helena is credited to have discovered the True Cross on which Jesus was crucified. The icon shows both of them dressed in luxurious costumes made of gold-like fabrics, against a rich gilded background.

Walachian Prince Constantin Brâncoveanu not only bore the great emperor’s name but also fought the infidels and supported Eastern Orthodox Christianity. Past and present, political and spiritual power tightly united around the Cross, strongly support one another.

At the end of the 17th century the iconostasis which comprised the icon was part of a complex programme. This included both building new religious establishments and restoring earlier ones. Like earlier predecessors, his attempts to shake off the Ottoman rule Brâncoveanu relied heavily on both Church, an institution of paramount importance in governing Walachia, and the Orthodox faith, a stronghold of (national) identity. Thus his strategy looked well beyond the borders of Walachia.

 

See more works in the Romanian Medieval Art Gallery

The European Decorative Art Gallery

The European Decorative Art Gallery

Divided into six rooms, illustrates four centuries of the history of taste and refinement, of European innovations, manufactures and craftsmen from Austria, Belgium, Czech Republic, Switzerland, France, Germany, Italy, Holland, Spain, Russia of the 16th-19th centuries and completes the museum's permanent collections, together with the European Art Gallery and the National Gallery.

The Unseen Part of the Lucia Dem. Bălăcescu Collection

The Unseen Part of the Lucia Dem. Bălăcescu Collection

Curators of the exhibition: Liliana Chiriac and Ilinca Damian

Theodor Pallady Museum

Theodor Pallady Museum

The museum brings centre stage a core selection of paintings by Theodor Pallady. Together with over 800 prints and drawings from the artist’s Parisian years, these are part of the Serafina and Gheorghe Răut collection, donated to the Romanian state at the end of the 1960s. The collection also comprises French, Dutch, English and Spanish paintings, European furniture and sculpture and a host of various objets d’art which speak eloquently about the manner in which Romanian inter-war intellectuals tried to emulate general trends.

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