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Visiting hours:
The National Museum of Art of Romania, the Theodor Pallady Museum and the K. H. Zambaccian Museum can be visited: Wednesday-Friday 10am-6pm
Saturday-Sunday 11am-7pm, Monday and Tuesday closed. Free entry on the first Wednesday of the month.
The Art Collections Museum: Monday, Tuesday and Friday, 10am-6pm, Saturday and Sunday 11am-7pm, closed Wednesday and Thursday. Free entry on the first Friday of the month.
Last entrance: 1 hour before closing for The National Museum of Art of Romania and the Art Collections Museum and 30 minutes for the Theodor Pallady Museum, the K. H. Zambaccian Museum and the temporary exhibitions.
For guided tours, please make a reservation at secretariat@art.museum.ro at least 7 days in advance.
Between 30 July and 1 August 2025, The Oriental Art Gallery and The European Decorative Art Gallery will be closed for the redevelopment of the exhibition space. We look forward to your visit starting with Saturday 2 August 2025, as a new selection of 90 woks will be displayed in The Oriental Art Gallery!
The National Museum of Art Romania will host an official state event tomorrow, July 16, 2025, and public access will be restricted throughout the entire day.
We will reopen on Thursday, July 17, 2025, and look forward to welcoming you during our regular visiting hours.We apologize for any inconvenience caused to those who had planned to visit us on Wednesday.

The National Museum of Art of Romania
Icon – Saints Constantine and Helena
Artwork description
Icon
tempera on wood, gilded background
116 x 81,5 cm
Master painter Athanasie
Wallachia
1699
Inv. 11 791/ i 448
Artwork location
Romanian Medieval Art Gallery, room 6

Toward the end of the 17th century Wallachian ruler Constantin Brâncoveanu (1688 – 1714) supported the restoration and refurbishment of the metropolitan church in Târgovişte, and its iconostasis. Icons newly painted by master Athanasie include that of the Holy Great Emperors Constantine and Helena. When contemplating it, onlookers were reminded of by then legendary histories whose symbolic value was heightened by contemporary context.

The icon represents the two saints in solemn pose on either side of a monumental cross surmounted by a blessing Jesus. Behind them, at the foot of the cross, lies the walled city of Constantinople, the capital of Eastern Christianity. Apart from the signs of earthly power (sumptuous costumes, richly adorned sceptres and crowns), the two saints also wear a pectoral cross representing Jesus crucified (Constantine) and a medallion (engolpion) showing Virgin Mary (Helena) as symbols of their role as Great Hierarchs and leaders of the Church.

Both saints were highly popular among believers. Roman Emperor Constantine (306 – 337) put a stop to Christians’ persecution, contributed to the establishment of Christianity as a state religion and rebuilt Byzantium, named Constantinople, the city of Constantine upon his death. Constantine’s mother, Empress Helena is credited to have discovered the True Cross on which Jesus was crucified. The icon shows both of them dressed in luxurious costumes made of gold-like fabrics, against a rich gilded background.

Walachian Prince Constantin Brâncoveanu not only bore the great emperor’s name but also fought the infidels and supported Eastern Orthodox Christianity. Past and present, political and spiritual power tightly united around the Cross, strongly support one another.

At the end of the 17th century the iconostasis which comprised the icon was part of a complex programme. This included both building new religious establishments and restoring earlier ones. Like earlier predecessors, his attempts to shake off the Ottoman rule Brâncoveanu relied heavily on both Church, an institution of paramount importance in governing Walachia, and the Orthodox faith, a stronghold of (national) identity. Thus his strategy looked well beyond the borders of Walachia.

 

See more works in the Romanian Medieval Art Gallery

VIRTUAL GALLERY OF ORIENTAL ART. COLLECTION OF ISLAMIC ART

VIRTUAL GALLERY OF ORIENTAL ART. COLLECTION OF ISLAMIC ART

The collection of Islamic art at the National Museum of Art in Romania is the most significant of its kind in Romania, comprising approximately 1,400 pieces dating from the 7th to the 20th century.

LABORATORY III: ASPECTS OF RESTORING GRAPHIC AND CERAMIC WORKS FROM CHINA AND JAPAN IN THE MNAR  HERITAGE

LABORATORY III: ASPECTS OF RESTORING GRAPHIC AND CERAMIC WORKS FROM CHINA AND JAPAN IN THE MNAR HERITAGE

The exhibition will be open to the public from December 14, 2022, to June 25, 2023.

K.H. Zambaccian Museum

K.H. Zambaccian Museum

Art collector and critic Krikor H. Zambaccian (1889-1962) put together one of the richest and most valuable private collections in Romania. In the 1940s Zambaccian had the house purpose built so as to enable him to display the paintings, sculptures, prints and drawings and furniture he had acquired over more than half a century. Both the collection and the house were donated by him to the Romanian State in 1947.
In celebration of his deed, Zambaccian was made a member of the Romanian Academy.
The collector’s portfolio of Romanian artists offers a brief but dense overview of modern Romanian art, covering representative paintings by founding figures like Theodor Aman, Nicolae Grigorescu, Ioan Andreescu, classical modernists like Ștefan Luchian, Nicolae Tonitza, Theodor Pallady and Gheorghe Petrașcu, and post-war figurative painters like Corneliu Baba, Alexandru Phoebus and Horia Damian. Sculptures by Brâncuși, Milița Petrașcu, Oscar Han and Cornel Medrea reflect Zambaccian’s preference for a more traditional vein of modernism. To create a context for Romanian art and enhance his prestige, Zambaccian also acquired works by Cézanne, Picasso, Matisse, Bonnard, Utrillo, and Marquet, which lend his collection a profile unmatched in Romania.  

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