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DTSTAMP:20260404T063623Z
DESCRIPTION:Staying at home? Discover the museum’s collection from a new pe
 rspective!\nAs people bond even closer with their pets we thought we would
  introduce you to other people’s companions.Once the museum will reopen do
 n’t miss the opportunity to look them up close …Until then\, just enjoy br
 owsing while staying at home.\n&nbsp\;\n\n\n&nbsp\;\n&nbsp\;\nG.D.Mirea - 
 The Goodwin Children\, 1885Romanian Modern Art Gallery\, MNAR\nErnest Good
 win\, a British banker\, was married to Maria Suțu\, a Romanian Princess\;
  their three children\, portrayed in typical 1880s manner\, show how well-
 connected local high-society was to what was fashionable among members of 
 European social elites of the time\, from the manner of dressing to pets. 
 While the overall setting is suggestive of the family’s social status\, th
 e Labrador dog and the basket lend the picture a less formal\, more domest
 ic character.\nA trained academic painter\, George Demetrescu Mirea (1852 
 – 1934) was one of the top Belle-Epoque portraitists of the Bucharest elit
 e.\n&nbsp\;\n&nbsp\;\n&nbsp\;\n&nbsp\;\n***\n\n&nbsp\;\nNiccolo Livaditti 
 – Portrait of a LadyRomanian Modern Art Gallery\, MNAR\nBorn in Trieste\, 
 Italy\, Niccolo Livaditti (1804-1858) settled in Iași sometime around 1830
 . Livaditti’s practice as a portrait painter flourished in the capital cit
 y of the Romanian Principality of Moldavia\, the artist contributing signi
 ficantly to the modernisation of local painting.\nThis Biedermeier portrai
 t featuring a lady doing some needlework displays many of the staple chara
 cteristics of contemporary painting such as attention to detail and the ma
 terial qualities of surrounding objects\; the artist includes fashionable 
 composition and perspective elements such as the background landscape\, an
 d manages to capture something of the sitter’s psychology.\nThe lap dog de
 picted behind the sitter\, to the left\, is sympathetically rendered and i
 s certainly more than a means to balance the overall compositional design\
 , lending the picture an intimacy in line with contemporary middle-class e
 xpectations.\nA range of red\, ochre\, purple and blue hues set in stark c
 ontrast to the deep black of the woman’s velvet dress give the painting a 
 certain freshness.\n&nbsp\;\n***\n\n\n&nbsp\;\n&nbsp\;\nPieter Cornelisz v
 an Slingelandt (1640 –1691) – Woman in an interior (Woman Knitting)Europea
 n Art Gallery\, MNAR\nThis typical Netherlandish interior combines a true-
 to-life rendition of everyday life with a possible moralising message. The
  young woman knitting is gazing at the spectator\; the dog at her feet may
  suggest fidelity\, whereas the cage hanging from the ceiling may hint at 
 the closed circle of domestic life.\nThe open door in the background contr
 adicts the idea of the interior as a closed space of domestic virtue altho
 ugh the door looks onto a balustrade\; the outside space is that of an enc
 losed garden rather than the street\, which may be indicative of some sort
  of seclusion. The two paintings within the painting represent the Adorati
 on of the Shepherds and probably St. George. It is therefore possible to r
 ead this genre scene as an allegory of desirable\, adequate female behavio
 r.\n&nbsp\;\n&nbsp\;\n***\n&nbsp\;\n\n&nbsp\;\n&nbsp\;\nQuiringh Gerritsz.
  van Brekelenkam (after 1622 – ca.1669) - Interior\, 1660European Art Gall
 ery\, MNAR\nThe genre scene is based on three characters\, a couple of int
 riguing details and an interesting visual plot: an elderly woman calls on 
 a young woman\, and the maid spies on them. The setting is not devoid of a
 mbiguities\, and is complemented by rather obvious symbolic figurative det
 ails such as the dog in the mistress’s lap.\nThe dog is customarily read a
 s an emblem of marital fidelity\; on the other hand\, the map on the wall\
 , frequently featured in Dutch Golden Age genre scenes\, may be interprete
 d as a shorthand sign for temporary separation and erotic adventures.\n&nb
 sp\;\n&nbsp\;\n&nbsp\;\n***\n\n&nbsp\;\n&nbsp\;\n&nbsp\;\nGeldorp Gortzius
  (1553 – ca. 1619) – Girl with a CatEuropean Art Gallery\, MNAR\nA special
 ist portrait painter\, Geldorp Gortzius approached his sitter with a keen 
 interest in capturing not only her posture and childish facial features\, 
 but also something of her inner world. Although the girl’s identity remain
 s a mystery\, the painting has all the attributes of a genuine portrait - 
 a mimetic representation of a real person.\nThe cat\, on the other hand\, 
 is something of a rare presence and therefore more difficult to ‘label’ – 
 could it be some sort of allusion to the sitter’s character\, an emblemati
 c detail\, or merely an anecdotal addition?\n&nbsp\;\n&nbsp\;\n&nbsp\;\n**
 *\n\n&nbsp\;\n&nbsp\;\nFrancisc Șirato – Woman and Her CatArt Collections 
 Museum\nPaintings of a single female character range high among the favour
 ite subjects of Francisc Șirato (1877 – 1953)\; every so often the sitter 
 is Lila Nădejde\, the artist’s niece. Paintings bear simple yet clear titl
 es\, as in the case of Woman and Her Cat.\nThe female figure dominates the
  sketchy landscape in the background while acting as a backdrop for the sl
 eepy grey cat in the foreground. The picture echoes the inter-war Paris Sc
 hool interest in colour as a backbone of composition design.\nPainter\, gr
 aphic artist and art chronicler Francisc Șirato was also a member of the s
 o-called ‘Group of Four’\, the name under which painters Nicolae Tonitza\,
  Ștefan Dimitrescu and sculptor Oscar Han exhibited together between 1925 
 and 1933. Then as later\, regardless of subject\, Șirato’s paintings revol
 ve around colour and light\, core elements of his artistic quest.\n&nbsp\;
 \n***\n\n&nbsp\;\n&nbsp\;\nGheorghe Petrașcu - Mariana with a CatThe K.H. 
 Zambaccian Museum\nThough greatly influenced by Nicolae Grigorescu and imp
 ressionist painting\, Gheorghe Petrașcu (1872 – 1949) developed a highly i
 ndividual style\, based on the tactile quality of the rich paints he emplo
 yed. The artist focuses primarily on landscape and still-life\, doubled by
  a range of more intimate subjects featuring the family environment and th
 e studio\, in which he really excelled.\nPetrașcu tackled human face rathe
 r rarely and then only to paint people he felt really close to\, such as f
 amily members and friends.\nThe sitter in this painting is Mariana\, the a
 rtist’s daughter\, holding the family cat in her lap. The painting speaks 
 of the innocence typical of young age resorting to a virtuoso handling of 
 colour.\n&nbsp\;\n&nbsp\;\n***\n\n&nbsp\;\nTheodor Aman – Woman with Her D
 og\, 1862Romanian Modern Art Gallery\, MNAR\nTheodor Aman(1831-1891) maste
 red large historical canvases as well as small portraits and genre scenes.
  The latter speak to us with a type of directness unmatched in his formal\
 , large-size compositions\, and allow the artist to attune his fine visual
  sensitivity to the subjects depicted: his rendering of genre scenes is fr
 esh and assumedly unpretentious\, a genuine tribute to intimacy.\nWoman wi
 th Her Dog realistically depicts the female sitter – presumably Frosa\, Am
 an’s favourite model –\, in what is a free\, somewhat dreamy\, rather abse
 nt posture\, far from the stern rendering typical of the artist’s contempo
 rary formal\, official portraits. The black dress enables Aman to quietly 
 prove his painterly prowess. A dynamic brushwork\, remindful of a late rom
 anticist approach\, matches the broad treatment of the painting surface wh
 ereas some details are more freely rendered\, showing Aman’s openness to o
 pen-air painting. The little furry dog\, presumably a family pet\, sits qu
 ite alert at the woman’s feet. The same dog also features in a canine port
 rait at the Theodor Aman Museum as well as in Lady Painting at the Art Mus
 eum in Craiova.\n&nbsp\;\n&nbsp\;\n&nbsp\;\n***\n #StamAcasa #aproapedeART
 A #ARTAonline #MuseumAndChill https://mnar.ro/component/rseventspro/evenim
 ent/470-join-us-for-a-pet-led-tour
DTSTART:20200407T081110Z
DTEND:20200531T180000Z
LOCATION:Muzeul Național de Artă al României (Calea Victoriei 49-53\, Bucur
 ești\, România)
SUMMARY:Join us for a pet-led tour!
URL:https://mnar.ro/component/rseventspro/eveniment/470-join-us-for-a-pet-l
 ed-tour
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